Nagare draws from the idea of the Möbius strip — a form with no true beginning or end, where one surface turns seamlessly into the next.
It is a quiet symbol of continuity, of motion that does not break, and of change that remains connected to what came before.
From that concept comes its connection to water.
Like a current, flow is never fixed. It bends, shifts, and carries itself forward, not by resisting change, but by moving with it. The turning surface of Nagare reflects that same feeling — a line in motion, folding into itself like water tracing its own path.
Over time, the silver takes on its own marks, deepening the sense of movement and time held within the piece.
A reminder that life does not move in a straight line — only forward, continuously.
